Thursday 16 February 2012

Song writing, gigging, killing people, and world domination: An insight into the world of JOS.



2012 promises to be an exciting year for London based singer-songwriter John O'Shea. After years of performing as a solo artist he has bough together guitarist Rosie Botterill, laid back bassist Chris Pinkston and down-to-earth drummer Anna Thomas to form a four piece rock outfit named JOS, giving his songs a new lease of life. After a few months of rehearsing in 2011 John O'Shea and the newly assembled band were ready to hit the gig circuit with their first gig at The Water Rats in January 2012. Playing songs which John wrote 10 years ago and has not yet heard performed, it was a momentous and emotional night. He recalls “When I came home I must have gone to bed about 12:30 and I just stared at the wall until about 4 o'clock in the morning. It blew my brain”. I join them at their third gig at the Dublin Castle to see how it's all settling in.

As I arrive Camden's Dublin Castle, slightly late courtesy of the London Underground engineering works, I am met by exuberant guitarist Rosie who fills me in on the current situation. The band were supposed to have sound checked by now but due to the unexpected disappearance of the headlining act the running order for the evening has become confused and sound checking has over run. Musing that a life in rock 'n' roll is never uneventful, I follow her through the bar and into the venue to be greeted by the sight of glum looking musicians, bored of waiting around. JOS have changed their slot to first as Anna and John are both ill, John with a bad throat. Being the first band to play means being the last to sound check so I sit with Rosie and watch a band who clearly want to be Iron Maiden perform their sound check. Most entertaining. As they finish and the next band begin to set up, I suggest to Rosie that we make use of the surplus time and go somewhere quieter to talk. She agrees, poses the idea to the rest of the band and in no time we're headed to the bar next door, buying drinks and gathering around a table to chew the fat on the topics of song writing, internet marketing and the music industry in general.

Thursday 9 February 2012

Useful websites for composers

For all of you composers out there, if you haven't yet stumbled across Composition Today then its well worth a look. It features up to date listings of jobs and composing competitions and opportunities as well as having a very useful sound bank. You do have to be a member to access the jobs and composition opportunities but the fee is reasonable, £20 per year. The sound bank though is free.

In the sound bank section you can hear samples of every orchestral instrument as well as some playing techniques and a wide range of percussion. A very useful source while composing, particularly for new composers who aren't sure what various techniques sound like. If for some reason you can't access samples of the playing techniques from the sound bank page, then a search in the search bar on the left hand side of the page usually brings them up.

While I'm at it, another useful link is the Audio Geek Zine's sample of a bowed cymbal, a must for any horror/suspense score. Click here to hear the bowed cymbal.

For anyone interested in the more techy/electronic side of music, Audio Geek Zine might be useful to you.

Happy composing everyone!